A LANDSCAPE OF ONE’S OWN

It started with a faint linen book jacket and that smell of an old book: paper that felt like skin to the touch… Driven by happenstance, substrates were consciously sourced, intentionally exploring the surfaces aspects – in particular its fragility and the potential of ephemeral change. Book jackets, book pages, torn spines, dedications, signatures and dates, binding threads… By honing the vulnerability of the materials, each piece asks to reflect on the passing of time, their impermanence is often a threat, but maybe a must too.

To J.B. Priestley Delights | soft pastel, pencil, ink and acrylic on found book jacket

The Story of One Hour and Other Stories | soft pastel, pencil, ink and acrylic on found book jacket

Blazing World | soft pastel, pencil, ink and acrylic on found book jacket

Jack Kerouac’s 1969 Tristessa | soft pastel, pencil, ink and acrylic on found book jacket

No Coward Soul is Mine Emily Brontë | soft pastel, pencil, ink and acrylic on found book jacket

Painting Out Illness | soft pastel, pencil, ink and acrylic on found book jacket

Rossetti’s To Read and Dream | soft pastel, pencil, ink and acrylic on found book jacket

Wuthering Heights, 1957 | soft pastel, pencil, ink and acrylic on found book jacket

Late Light | soft pastel, pencil, ink and acrylic on found book jacket

A Landscape of One’s Own | The Loose Pages

Lines of Longing | mixed media on birch panel | 25.5×25.5cm

Hiraeth | mixed media on manipulated canvas board | 16.5 x 16.5 cm

DISTILING STILLNESS

Dusk Dancer | mixed media on birch panel | 30.5 x 30.5 cm

Significance | mixed media on birch panel | 20.5 x 20.5 cm

Vespertine | mixed media on birch panel | 30.5 x 30.5 cm

Once Through Frozen Air | mixed media on birch panel | 30.5 x 30.5 cm

 

THE SUBTLE PLACES

A series of paintings inspired by the ambiguity of land & sky, evoking tranquil and contemplative moments through gestural brushwork, soft tones and hues, blurred layers and introspect mark making.

In Stillness and Flow | mixed media on cradled birch panel | 40.5×40.5cm

The Ache of Wildness | mixed media on birch panel | 30.5×30.5cm

Forgotten Stillness | mixed media on birch panel | 30.5×30.5cm

Some Confluence This Morning | mixed media on cradled birch panel | 40.5×40.5cm

Catching Light | mixed media on cradled birch panel | 30x30cm

” working with soft pastels on wood, dragging its dust, blending its pigment with translucent glazes, the process of building layers of paint over time, eroding and repainting, almost echoes the way the landscape is made. I never attempt to paint any specific place. Instead I prefer to be somewhere between the representational and expressive, to convey the idea of a landscape that is still happening. If you were able to look to the left, right, up or down: an interconnected composition.“

 

MOMENTS CONTAINED

Echoing how the landscape was observed: eyes moving from sky to land, land to water, a change of light and a gust of wind: a landscape still happening.

 

 

 

“An horizon always contains a trait… Indications of shorelines, estuaries, marshes are evident. Always referencing something tangible, be it the observed or the recollected, just leaving behind the elemental colours through a tactile surface”

 

“These observations were spontaneous, immediate, the process had an aspect of incompleteness, almost as if unfinished. Blurred views, with soft focus as if capturing the uncertainty of time, place and weather. Bare and linear sharpened views, open grounds; the palette varied but applied lightly, with abrupt hatching brushstrokes, rhythmic lines, sharp linear sgrafitto. An attempt to build layers of paint, adding and subtracting, eroding and repainting.”